Dear Folks,
Carl Jung divided life into two phases, calling them our “morning” and “afternoon.” The work of the first phase is the development of the ego, the soul’s morning reserved for relating to the outer world and orienting by it. The second phase is for engaging with the inner world and adapting to it, as the soul develops wholeness, her integrated self. The transition between the two phases occurs at “midlife,” which is discovered at different times by different individuals, and Jung likened the shift to a difficult birth. The masks and personas that have served one well in the past no longer fit, and so in a sometimes painful awakening, the old skin is shed. “There is a self within each one of us aching to be born,” says theologian Alan Jones.
In her book When the Heart Waits, Sue Monk Kidd finds herself in this spiritual labor. Her children were healthy, her marriage was solid, her work was rewarding, and yet she felt hollow and startled by the noise of her unlived voices inside her. She had always been consistent, dependable, hardworking, but increasingly those well-trod patterns didn’t feel like her anymore, or enough of her.
Fear of changing and of how her family, friends, and colleagues would respond was somehow both enticing and daunting, at once. She writes, “What happens when the Pleaser stops pleasing… when Rapunzel stops looking to everyone else to rescue her and begins to climb out of the tower on her own? How do people respond when their favorite martyr ceases to sacrifice her life on the altar of duty? What happens when the Tin Woodman recovers her heart and her real feelings and embraces her body and her sexuality? What happens when Chicken Little decides not to hide from life or truth but takes up her courage and goes out to meet it? When the dawn of a fuller spirituality appears and a new aspect of the true self pushes its way up into the light, (how will we and) the people around us respond? Will they like our new wings?”
In the midst of these questions, Kidd walked over a bridge on the campus of a nearby college, and something on a tree limb caught her eye. At first she goes by the grey protuberance, but is pulled back to consider it: a cocoon. Spirit seemed to be speaking to her about transformation, about the descent of the soul, and of hope. She broke the twig from the limb and carried it home with her, carefully taping the chrysalis to the branch of a crab-apple tree in her backyard.
It occurs to Kidd that the old caterpillar within the cocoon is slowly dissolving and becoming what she will one day be, and that image serves her through her own shadowy waiting. She writes, “The fullness of one’s soul evolves slowly,’ and we go within to gestate the newness forming. We are asked “to collaborate with grace.” This process involves listening to the “disinherited voices within” us, “facing the wounded holes in the soul, the denied and the undiscovered” parts of ourselves, and opening up the places where one lives falsely. The waiting becomes sacramental, “struggling with the vision of who we really are in God and molding the courage to live that vision.” She discovers in a Thoreau poem the gift of the “long way round”:
Among the worst of men that ever lived,
However we did seriously attend,
A little space we let our thoughts ascend,
Experienced our religion and confessed
Twas good for us to be there-be anywhere:
Then to a heap of apples we addressed
And cleared the topmost rider sine care,
But our Icarian thoughts returned to ground
And we went on to heaven the long way round
“There is nothing instant or automatic” in spiritual development,” writes Alan Jones. So a call to the long way round is the saving way, Kidd realizes, not the quick and easy religion we sometimes hope for, but the deep and difficult slog of the wilderness.
In one particularly dark night, she takes her flashlight and journal, and sitting on the grass she writes: “God, I don’t want to live falsely, in self-imposed prisons and fixed, comfortable patterns that confine my soul and diminish the truth in me. So much of me has gone underground. I want to let my soul out. I want to be free to risk what’s true… Lead me into the enormous spaces of becoming. Help me cease the small, tedious work of maintaining and protecting so that I can break the masks that obscure your face shining in the night of my own soul. Help me to green my soul and risk becoming the person you created me to be.”
So this is our work: to recognize the false selves within us, to hear their voices at last… and then to let them die. The holy one within us is aching to be born.
Love,
David